To be honest, it came
quite short to what I expected, since several friends of mine
recommended it to me; although, I think it´s worth reading and
analyzing.
First of all, Bradbury
managed to successfully create a dystopian future that closely resembles
ours, to a frightening luxury of detail.
The lack of human
contact shamefully overpowered by artificial interaction, the lack of
interest from people to learn and read, the callousness with which the
individual treats his fellow man are all subjects to Bradbury´s
microscope and again, ever present all around us nowadays.
I particularly enjoyed
the metaphor to the anesthetizing effect television has on people,
creating a false sense of interaction with the world and producing quite
the contrary effect of alienating them from reality and, worse of all,
depriving them from an independent, learned point of view by shoving in
their heads prefabricated opinions and dogmas.
Last but not least, I
liked the allusion he makes at the end of the novel to the Hiroshima and
Nagasaki crimes, a.k.a the Atomic Bombs that “in three seconds” as
Bradbury points out, ended World War II. Also, the comment he makes on
the necessity to document such atrocities in the hope that we no longer
commit them in the future, in the hope that somewhere along the line we
are able to understand and restrain ourselves from taking such paths.
That being said, there are some things I didn´t like about Fahrenheit 451:
First, the social
problems Bradbury denounces have previously and more adroitly been
examined by earlier dystopian novels. But it´s not only that, my problem
with it is that it sounds too repetitive, meaning that he failed, to my
point of view, to cast a new light to such problems; he merely went
along the line already trodden by greater novels in the genre. To be
more specific, I think he repeated what Aldous Huxley did – regarding to
pointing out social problems- in “Brave New World”; but compared to it,
Fahrenheit simply falls flat and comes short against the insightful
existentialism portrayed by Huxley.
I also found in this
novel an excessive use of metaphors, reaching to the point of blotting
out the one or two really profound or even poetic remarks contained in
the prose. It all sounds too contrived, an overstrained effort to sound
poetical that lacks the swift and smooth pace of other writers and ends
up defeating its own purpose. So in that regard, it completely
diminishes the quality of the novel, it breaks off the mood and somewhat
leads you away to dead end paths.
As a conclusion, I
believe the novel is not so much about censorship, but about how
society, on its own accord, decides to stop reading, to stop thinking,
learning, deciding; what Bradbury does is point out to us how people in
society don´t have to be oppressed by a government, how the state
doesn´t have to force ignorance on the vast majority of the population,
but it´s society itself that manages to do that in an extremely
effective way. He tells us how we are our own worst enemies when it
comes to intellectual freedom and enlightenment.
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